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| The exhibit entrance is planned so the viewer comes around a corner and is presented with the beauty and drama of this glass collection |
Pictured below is part of what I like to call the 'underwater scene'. As the viewer walks around the room, each angle tells a different part of the story. One section would be predominately warm tones with fiery reds and bright oranges in shapes and forms that twisted and turned, while further down would be an area with cool blues and gentle greens.
Below is the anchor piece to the room. It was placed at the far end of the room entrance, making it so the viewer had to travel through an underwater adventure to make it to the Pièce de Résistance.
One room had a glass ceiling of glass, very similar to the famous ceiling at the Bellagio in Las Vegas.
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| Glass ceiling looking upwards |
The final scene in the Chihuly exhibit.
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| The rough birch tree trunks against the smooth glass tubes created a calm but conflicting feeling |





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